The Wolf Totem

While in the Wolf Totem, the author not only loves wolves, but also reveres them.

而《狼图腾》中作者不但爱狼而且敬畏狼。

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the conflict between the nomads who hold wolf totem spirit and the han people that guided by farming culture, and the story between chen and the little wolf symbolically represent the confrontation between civilization and nature.

以狼图腾精神为指导的游牧民族与农耕文化之间的冲突，陈阵与小狼的故事，都象征性地再现了文明与自然的对抗。

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A Comparative Study of the Call of the Wild and Wolf Totem

《野性的呼唤》与《狼图腾》之比较研究

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this study analyzed the translated text of wolf totem from the perspective of rewriting and elaborated successful rewriting was able to accelerate the acceptance of literary works in another literary system.

本研究从改写的角度对《狼图腾》的译本进行分析，论述了成功的改写能够推动文学作品在另一文学系统中的接受过程。

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the book "wolf totem" has attracted a lot of attention ever since its publication. the sales record it created is also very conspicuous.

《狼图腾》这部以狼为叙事主体的史诗般的小说自出版以来一直备受关注，它所创造的销售记录亦十分引人注目。

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at last, the thesis shows the effect and the value of translation variation through specific examples in the translation of wolf totem.

最后，本文通过《狼图腾》英译的具体翻译例句来说明变译策略的效果及其体现的变译价值。

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the wolf was a vicious image in mainstream traditional culture of chinese nationality, but also there was the worship of wolf totem in the minority nationalities and regions.

狼在中华民族的主流传统文化中是一种“恶”的形象，但在少数民族、少数地区也存在着“狼图腾”崇拜；

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beijing-ten years ago, when producers at the state-run beijing forbidden city film corporation began searching for a director for the movie adaptation of the chinese novel "wolf totem" by jiang rong, they had no plans to look beyond china's homegrown stable.

北京——十年前，国营的北京紫禁城影业公司的制片人们决定将姜戎的小说《狼图腾》搬上银幕，寻找导演时，他们并没考虑在中国电影圈之外找人。

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by using a unique writing style, the author guides the readers to jump out of "anthropocentrism" thinking mode, points out the theme that the wolf totem spirit is the spirit of defending the nature, and ultimately directed his criticism to civilization itself.

作者以独特的写作手法，引导读者跳出人类中心主义思维模式，点明狼图腾的精神即捍卫自然的精神这一主题，将最终批判的矛头指向文明本身。

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Another Kind of" Greatness": the Narrative Mode and Narrative Strategies in The Wolf Totem

另一种宏大：《狼图腾》的叙事模式和叙事策略

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The movie "Wolf Totem" finally arrived in theaters in China on Thursday, the first day of the Chinese New Year, and will open in France on Wednesday. ( Sony's Columbia Pictures has acquired its North America distribution rights.)

星期四，即春节的大年初一，电影《狼图腾》在中国上映，下周三亦将于法国上映（索尼哥伦比亚电影公司获得了该片的北美发行权）。

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But Wang Weimin, the producer of Wolf Totem told China Daily that "our movie needed real wolves."

然而，《狼图腾》的制片人王为民表示，“我们的电影需要真正的狼。”

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In a previous statement summarizing the development of China's movie industry, the administration said Wolf Totem was able to achieve box office success, at 698 million yuan ($ 109 million), because it "used an international way to tell a Chinese story."

在日前总结中国电影产业发展的声明中，电影总局曾表示《狼图腾》之所以能够取得698亿人民币（109亿美元）的成功票房，是因为它在“用一种国际的方式讲一个中国故事。”

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the success of the translation of wolf totem is that it sets people thinking what works readers love, how translators shall translate, and how translators shall give play to the subjectivity.

《狼图腾》译本的成功，也同时带来了深思，什么样的作品深受读者喜爱，译者如何翻译才能获得成功，译者主体性如何发挥才能达到效果。

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in the part of introduction, the author mainly introduces the domestic and foreign research actualities about the call of the wild and wolf totem. besides, the author introduces the writing aims of the thesis and its innovation researches.

导论部分主要介绍《野性的呼唤》和《狼图腾》在国内外的研究现状、本论文的写作意图以及创新研究。

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But Wang Weimin, the producer of Wolf Totem told China Daily that our movie needed real wolves.

然而，《狼图腾》的制片人王为民表示，我们的电影需要真正的狼。

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as a rising country, china relies on soft power to export culture. the successful rewriting of wolf totem will be an inspiring example in this field.

中国作为一个崛起的大国需要依靠文化软实力进行文化输出，《狼图腾》改写的成功无疑可以为我国文化输出提供更多启示。

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